Throughout the film Temple calls back to these two pictures in different ways much of the interview with Johnson is conducted on the beach at Canvey with the guitarist sat across a chess board from a robed figure, highlighting the (then) inevitable and unwinnable game with the reaper. In that regard, for The Ecstasy of Wilko Johnson he takes 1946 David Niven vehicle, A Matter of Life and Death, and Ingmar Bergman’s The Seventh Seal. Having built a reputation documenting particularly British bands, musicians and institutions from The Sex Pistols and Joe Strummer to Glastonbury and London (in The Modern Babylon), Temple takes a subject and lays it alongside other British archetypes through film and other imagery to create documentaries that tell the story of their subject but also offer insight into what they may mean to culture as a whole. In most hands this would likely have become an enjoyable career retrospective and partner to the concert film shot in 2013 at Koko in London carrying on where 2009 film Oil City Confidential left off, Temple though is not most hands. At this point, for what all expected to be barely a few months, his career went into overdrive as he appeared on BBC Breakfast TV and in pretty much every UK newspaper while crisscrossing not only the British Isles but Japan as well, as he undertook a farewell tour.Īt the same time filmmaker Julien Temple documented this while conducting seemingly lengthy interviews with Johnson to create this feature, The Ecstasy of Wilko Johnson. We’ll see which one wins.In January 2013 rhythm and blues guitarist Wilko Johnson was diagnosed with terminal pancreatic cancer and, electing not to go through chemotherapy, was given 10 months to live. And then there’s “ Michael,” from the producers behind the 1986 movie “ Dogs In Space” which starred Hutchence, and they say they are further along in development than their rivals. So what are they? First is “ Two Worlds Colliding,” which is based on the book “ Just A Man – The Real Michael Hutchence” written by the singer’s sister and it purports to be not a “tell-all,” and the kind of rosy glow movie that should get the approval of the family and band. But good luck to them becaues Gaye rules and it’s a great story.Īlso trying to get produced? Duelling biopics of late INXS frontman Michael Hutchence. A start is being eyed for next year, but music biopics - particularly those with Gaye - don’t have a great track record of being made, so we’ll see. Gary Gray flick also had rights cleared at the time of its trade report, but then never moved forward. The music rights are apparently all cleared up, which should make this theoretically an easy breeze, but the F. Karlovy Vary Review: Julien Temple’s Documentary ‘The Ecstasy Of Wilko Johnson’ There he met promoter Freddy Cousaert who guided the singer through the recording of his biggest-selling album, Midnight Love, which launched his late career Top 40 comeback. Martin in the lead, but they have both since moved on. Originally loosely based on the book “ Trouble Man” (it’s not clear who has drafted the latest script), the film will catch up with a drug-addicted Gaye, who had by the early ’80s, had fallen out of favor with the music industry and its labels, and took refuge in the small, tranquil town of Ostend, Belgium. Titled “ Sexual Healing,” at one time it was being shepherded by James Gandolfini with Jesse L. Lenny Kravitzwill take the lead in the movie that has been brewing for a while now. Gary Gray was also attached to helm a project titled simply “ Marvin.” But now it looks like Julien Temple is getting ahead of the pack with a leading man who has acting and musical chops. Cameron Crowe has been trying for years to get one made, while F. It certainly hasn’t been for lack of trying that we haven’t had a Marvin Gaye biopic.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |